2026年6月16日 10:05 UTC / 路透社
作者：唐·奇米莱夫斯基
- 《辐射》第二、三季共获得6700万美元税收返款
- 娱乐行业岗位自2022年以来持续减少
- 数据显示，2025年好莱坞摄影棚空置率降至62%
加利福尼亚州圣克拉丽塔6月16日路透电 —— 当来宾们在亚马逊Prime Video剧集《辐射》其中一个片场的巨型摄影棚内穿梭时，编剧兼制片人乔纳森·诺兰赞扬了税收优惠政策在将这部剧集制作迁至加州时发挥的作用。
这部改编自后核废土题材电子游戏的大制作剧集第一季在纽约拍摄。加州凭借2500万美元的税收返款，在第二季将该剧制作吸引至西海岸。
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“如果没有这项税收抵免政策，这个项目根本无法启动，我们也不可能在这里拍摄，”诺兰说道，当时他正坐在“避难所”片场的折叠躺椅上——这个场景是一个地下 fallout 庇护所，装饰着该剧复古未来主义风格的布景。
诺兰曾积极游说加州政府批准7.5亿美元的税收返款计划，以吸引更多影视制作落户该州。他甚至去年直接邀请州议员前往片场，展示演员和幕后从业者将如何从这些优惠政策中获益。
据加州电影委员会数据，《辐射》第三季继续留在加州拍摄，得益于其1.663亿美元制作预算中获得的4200万美元税收抵免，这让制作团队得以雇佣近600名剧组成员和30名演员。
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诺兰表示，他和行业内同行早已习惯搭乘航班前往伦敦、布达佩斯或悉尼拍摄，无需担忧这对好莱坞造成的冲击。
“人们曾对‘好莱坞永远是好莱坞’的想法嗤之以鼻——但我认为过去五年，情况确实变了，”诺兰说。
娱乐行业就业岗位自2022年末达到峰值后持续下滑，给演员、编剧以及大量支持影视制作的幕后从业者——从木工、服装师、摄像师到餐饮服务商——带来的就业机会不断减少。
米尔肯研究所数据显示，加州受冲击尤为严重，2019年至2023年间流失了17234个岗位。该机构指出，电视广告收入下滑、流媒体增长停滞等多重因素，促使制片方寻找成本更低的拍摄地点。
负责协调大洛杉矶地区影视拍摄的非营利组织Film LA的数据显示，好莱坞摄影棚空置率已从2016年的近乎满租，降至2025年上半年的62%。
“这可能会掏空并摧毁这个拥有百年历史的文化地标——它或许是美国文化最重要的组成部分之一，也是我们向全球传播文化的核心能力之一，”诺兰说，“因此，我认为这项返款政策对我们重返这里拍摄至关重要。”
饰演双重角色的沃尔顿·戈金斯告诉路透社，能在洛杉矶工作让他心怀感激。他在剧中一人分饰两角：战前好莱坞西部片演员库珀·霍华德，以及赏金猎人“尸鬼”。
“这份工作渗透到这座城市的方方面面，能够回到这里拍摄这部雇佣了如此多从业者的剧集——这些匠人都是各自领域的顶尖高手，能让他们在最佳平台施展才华——我深感敬畏，”戈金斯说道，他补充道，“我只希望这项税收抵免政策能够扩大覆盖范围，让更多制作项目重返这里。”
唐·奇米莱夫斯基 洛杉矶报道；索纳利·保罗 编辑
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blob:https://www.reuters.com/bf8fa7e3-7024-4919-abe2-ef17cc02d254
https://www.reuters.com/legal/transactional/fallout-producer-lauds-tax-breaks-luring-show-hollywood-2026-06-16/
https://www.reuters.com/legal/transactional/fallout-producer-lauds-tax-breaks-luring-show-hollywood-2026-06-16/
‘Fallout’ producer lauds tax breaks for luring show to Hollywood
June 16, 2026 10:05 AM UTC / Reuters
By Dawn Chmielewski
- ‘Fallout’ won a total $67 million in tax rebates for seasons 2 and 3
- Entertainment jobs have dwindled since 2022
- Hollywood sound stage occupancy dropped to 62% in 2025, data shows
SANTA CLARITA, California, June 16 (Reuters) – As guests milled around a cavernous sound-stage that houses one of the sets from the Amazon Prime Video series “Fallout,” writer and producer Jonathan Nolan hailed the role tax incentives played in bringing the production to California.
The first season of the series, which is a big-budget adaptation of a videogame set in a post-nuclear wasteland, was shot in New York. California was able to lure the production west in its second season, with $25 million in tax rebates.
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“If the tax credit wasn’t here, it would be a non-starter and we wouldn’t be able to be here,” said Nolan, seated in a folding lawn chair placed on the set of a “Vault,” a subterranean fallout shelter decorated with the show’s retro-futuristic look.
Nolan played a prominent role in lobbying for California to approve $750 million in tax rebates to bring more film and television production to the state. He even went so far as to invite state legislators on set last year, to showcase how actors and craftspeople would benefit from the incentives.
“Fallout” remained in California for its third season, thanks to $42 million in tax credits on a budget of $166.3 million which allowed the production to hire nearly 600 crew members and 30 actors, according to the California Film Commission.
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Nolan said he and others in the industry had become accustomed to boarding a plane to shoot in London, Budapest or Sydney, without worrying about the possible toll on Hollywood.
“People sort of laughed at the idea that Hollywood would ever stop being Hollywood — but I think the last five years, it really has,” Nolan said.
Entertainment industry employment has been declining since its peak in late-2022, presenting fewer opportunities for actors, writers, and the scores of craftspeople — from carpenters to costumers to camera operators to caterers — who support film and television production.
California has been especially hard hit, shedding 17,234 jobs from 2019 through 2023, according to the Milken Institute. A combination of factors, including declining television advertising revenue and stagnating streaming growth, caused studios to seek less expensive places to make movies and series, it found.
The occupancy rate in Hollywood’s sound stages has fallen to 62% in the first half of 2025 from nearly full occupancy in 2016, according to Film LA, the non-profit organization that coordinates filming in greater Los Angeles.
“That threatens to hollow out and destroy a 100-year cultural institution that is maybe one of the most important parts of American culture and our ability to broadcast our culture around the world,” Nolan said. “So, I think the rebate was essential in bringing us back.”
Actor Walton Goggins, who plays a dual role as Cooper Howard, a pre-war Hollywood actor known for starring in Western films, and a bounty hunter known as The Ghoul, told Reuters he feels grateful for the opportunity to work in Los Angeles.
“This job permeates every aspect of this city and so to be back here filming this show that employs this many people — artisans that are the best in the world at what they do, given the opportunity to operate at their highest level — I’m in awe,” Goggins said, adding, “I only hope that this tax credit expands so that more production can come back here.”
Reporting by Dawn Chmielewski in Los Angeles; Editing by Sonali Paul
Our Standards: The Thomson Reuters Trust Principles.
blob:https://www.reuters.com/bf8fa7e3-7024-4919-abe2-ef17cc02d254
https://www.reuters.com/legal/transactional/fallout-producer-lauds-tax-breaks-luring-show-hollywood-2026-06-16/
https://www.reuters.com/legal/transactional/fallout-producer-lauds-tax-breaks-luring-show-hollywood-2026-06-16/