书籍节选:西尔维斯特·史泰龙《台阶》


2026年9月25日 / 美国东部时间下午5:04 / 哥伦比亚广播公司新闻

威廉·莫罗出版社
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西尔维斯特·史泰龙因在1976年经典电影《洛奇》中饰演一名出身底层的拳击手,成为其所处时代最成功的演员之一。这部作品在商业和艺术层面均取得了惊人的成功,斩获三项奥斯卡奖,并将他的事业推向了巅峰。

在他的新回忆录《台阶》(将于9月29日由威廉·莫罗出版社出版)中,这位演员讲述了塑造洛奇·巴尔博亚这一角色之前的早年奋斗经历。

请阅读下文节选,其中他 recounts 了创作《洛奇》剧本的缘起;千万不要错过9月27日在《哥伦比亚广播公司周日早间》中特雷西·史密斯对西尔维斯特·史泰龙的专访!


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那是冬天,加州的天气渐渐转凉。萨莎怀上了孩子。我身无分文。我迫切需要一个原创灵感来动笔,但依然毫无头绪。

托马斯·潘恩在1776年说得恰到好处:“这些时刻考验着人们的灵魂。”

我明白自己需要找到一个特别的、同时又能让大多数人产生共鸣的主题,只是完全不知道该从何入手。即便我有了想法,我也不确定自己和查托夫与温克勒的合作机会是否还在,或是自己是否配得上这份机会。我曾有过和他们合作的机会,却像个懦夫一样妥协了,以100美元的价格卖掉了《天堂大道》的版权,搞砸了一切。

我仍在为自己没能坚持立场而自责,但或许正是这份愤怒阻碍了我。这显然无助于我在笔记本上写出高质量的文字。你只能对着空白页面发呆那么久。一天深夜,在毫无成果的写作过程中,我在凌晨三点左右起身,在住所附近空无一人的街道上来回踱步,一边思考一边自言自语。

难道只有我一个人觉得生活艰难、冰冷又充满漠视吗?我不可能是唯一一个连窗户都还没来得及打开,就感觉它已经对自己关上了的人。

我不认为是这样。

我开始琢磨这样一个想法:或许很多人都和我有同样的感受。究竟有多少亿人放弃了自己的梦想,放弃了至少一次证明自身价值的机会?想要一探究竟:我真的拥有自认为拥有的内在实力吗?

我坚信,人生中最令人沮丧的部分其实很容易界定:那就是没有机会。如果我失败了?那就失败吧。至少我有机会站上击球区,拿起球棒,尝试打出本垒打。我可能会三振出局,但至少我是挥棒击球后才倒下的。

我的思绪开始飞速运转。我想到了一个能让如此多其他人产生共鸣的主题。在数十亿人中,我不可能是唯一一个因为金色机遇之门一次次在自己面前关上,而在极度沮丧中度过一生的人。这个主题为“写我所熟知的事物”提供了一个全新的角度——确切地说,不是写发生在我身上的事;而是写几乎所有人都会以这样或那样的形式经历的事情。毕竟,我的故事不过是每个曾梦想在人生中成就一番特别或意想不到的事业,却从未获得机会的人的故事。

这是一个能让人们产生共鸣的主题!

我回到屋里,拿出笔记本,像着了魔一样开始写作!写了几页后,我停了下来。我又一次过于直接地写起了自己。谁会在乎一个身无分文的演员的磨难与苦恼呢?没人会。至少可以说,演员是个非常古怪的职业。演员需要观众,需要被陌生人喜爱,需要得到认可。除非你也是演员,否则这一切都不太容易让人感同身受。

那不如写一个梦想早已破灭、自认是人生失败者的角色?一个“流浪汉”。但他会是个什么样的人?他曾有过怎样的梦想?

我知道自己需要一个具有象征意义的东西,一个能让人产生共鸣的人生隐喻。

——

人类天生具备两种特质。其一是竞速。人人都在奔赴某处、做某件事、达成某个目标,争当第一。我们竞速的对象从汽车、乌龟到狗狗,无所不包。我们甚至会和时间本身赛跑。其二是战斗。因为从你第一次呼吸的那天起,人生就是一场战斗。这是一场挣扎,在各个层面上都是如此。这是一场永不停歇的战斗,与自己战斗,与环境战斗,与社会战斗,与时间战斗。

我将人生比作拳击台。当你决定踏入其中,“人生”就会给你当头一击——如果你不反抗的话。你会被击中,被击倒。但你不能抱怨。既然你已经走进了拳台,现在就得想办法活下去。

这个角色无论怀揣着怎样的梦想,都必须是一名斗士。但或许他本身就是一名真正的斗士。_或许他是个拳击手,_我心想。

节选自《台阶:回忆录》,西尔维斯特·史泰龙著。© 2026 西尔维斯特·史泰龙。由哈珀柯林斯出版社旗下 imprint 威廉·莫罗出版社出版。

Book excerpt: “The Steps” by Sylvester Stallone

September 25, 2026 / 5:04 PM EDT / CBS News

William Morrow

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Sylvester Stallone became one of the most successful actors of his generation, after playing an underdog boxer in the 1976 classic “Rocky.” It proved a stunning commercial and artistic success, winning three Academy Awards, and thrust his career into the stratosphere.

In his new memoir, “The Steps” (to be published Sept. 29 by William Morrow), the actor writes of his early struggles, before creating the character of Rocky Balboa.

Read the excerpt below, in which he recounts the genesis of writing his screenplay for “Rocky”; and don’t miss Tracy Smith’s interview with Sylvester Stallone on CBS Sunday Morning September 27!


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It was winter and California was cooling off. Sasha was with child. I was broke. I was in desperate need of an original idea to write about, and I was still blank.

Thomas Paine said it perfectly in 1776: “These are the times that try men’s souls.”

I knew that I needed to find something special, but also something that most people could relate to. I just had no idea where to start. Even if I did, I wasn’t sure the opportunity with Chartoff and Winkler was still there, or that I deserved it. I had my chance with them, and I blew it by giving in like a coward and selling the rights to Paradise Alley for a hundred bucks.

I was still angry with myself for not holding my ground, but maybe that anger was getting in my way. It certainly wasn’t helping me fill my notebooks with quality writing. You can only stare at a blank page for so long. One night, deep into a fruitless writing session, I got up from the table around three in the morning and wandered up and down the deserted streets of our neighborhood, thinking and talking to myself.

Am I the only person who feels that life is hard, cold, and dismissive? I can’t be the only one who feels like their window has been closed on them when they didn’t even know it had been opened in the first place.

I didn’t think so.

I started to kick around this idea that maybe many people feel the way I do. How many hundreds of millions of people have abandoned their dream, the possibility of at least getting one shot to prove their worth? To find out, once and for all: Do I really have what I think I have inside?

I believed that the most frustrating aspect of my life was really easy to identify: It was not having an opportunity. If I failed? So be it. At least I had the opportunity to step up to the plate, pick up the bat, and try to hit a home run. I may strike out, but at least I went down swinging.

My wheels really started to spin. I was on to something that so many other people could relate to. I couldn’t possibly be the only person out of billions of people to feel like they were living life in desperate frustration because the door of golden opportunity had been shut in their face over and over. This theme offered a whole different angle on “writing what I knew”—not about what has happened to me, exactly; instead, writing about what generally happens to almost everybody in one form or another. After all, my story is just the story of any person who has ever dreamed of doing something special or unexpected with their lives but was never given a chance.

This was a theme that people could identify with!

I went into the house, got out my notebook, and I started writing like a man possessed! Then a few pages in, I stopped. I was writing too directly about myself again. Who really cares about a broke actor’s trials and tribulations? Nobody. Acting is a very odd profession, to say the least. Actors require an audience. They need to be loved by strangers. To be validated. That’s not really relatable unless you’re another actor.

What about the story of a character whose dream had already crashed and burned, and he’d accepted himself as a loser in life? A “bum.” But what kind of person would he be? What kind of dreams did he once have?

I knew I needed something that was symbolic. A relatable metaphor for life.

—

Two things come naturally to the human species. One is racing. Everyone is racing to get somewhere, to do something, to accomplish a goal. To be first. We race everything from cars to turtles to dogs, everything. We even race time itself. The second thing that comes naturally is fighting. Because life is a fight from the day you take your first breath. It’s a struggle. On every level. It’s a nonstop battle with yourself, with the elements, with society, with time.

I thought of life as a boxing ring. When you decide to get in there, “life” will hurt you if you don’t fight. You’re going to get hit, knocked down. But you can’t complain. You got in there, now you’ve got to figure out how to survive.

This character will definitely have to be a fighter, whatever his dreams are. But maybe he’s an actual fighter. Maybe he’s a boxer, I thought.

From “The Steps: A Memoir” by Sylvester Stallone. © 2026 by Sylvester Stallone. Published by William Morrow, an imprint of HarperCollins Publishers.

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